Almost Human (aka Milano Odia: la Polizia Non Può Sparare) (Umberto Lenzi, 1974)

A small-time criminal sociopath grows weary of busting his hump for unsatisfying paydays so he orchestrates a high-profile kidnapping with disastrous consequences. Nom DePlume:  I fucking love Tomas Milian (Don’t Torture a Duckling, Django Kill… If You Live, Shoot!). Whether … Continued

Recap! Rewind! Redux! – May 2015!

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Short Cuts (Robert Altman; 1993) Watching this as a teenager I was so impressed with the concept – how we’re all connected and the most seemingly insignificant details of your day bind you to an extensive social spider-web that links … Continued

Recap! Rewind! Redux! – April 2015

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Raiders of Atlantis (Ruggero Deodato; 1983) – In an attempt to retrieve a sunken Russian submarine, scientists inadvertently cause the lost continent of Atlantis to rise back to the surface. Naturally, the Atlanteans are feral punks with death machines straight … Continued

Cut-Throats Nine (aka Condenados a Vivir) (Joaquín Luis Romero Marchent, 1972)

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A military sergeant and his daughter are tasked with marching a chain gang of convicts though a desolate mountain pass, with tragic results. Billed outright as a violent exploitation film (complete with a “terror mask” gimmick being distributed to audiences … Continued

Recap! Rewind! Redux! – March 2015

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We thought we’d start a monthly(ish) series where we reflect on recently watched films that have had a significant impact on us, whether they be mind-blowingly brilliant or so god-awful that we just can’t help but blather on about it. So … Continued

The Centerfold Girls (John Peyser, 1974)

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  A psychopathic serial killer butchers women who appeared nude in a girlie magazine – and anyone else who gets in his way.  More exploitation flick than slasher and too overt to be approaching giallo territory, John Peyser’s The Centerfold … Continued

Love Angels (aka Prostituzione) (Rino Di Silvestro, 1974)

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A maniac is offing hookers in Italy. Will the police be able to stop him before these unsuspecting ladies of the night become a faded memory?  That’s the best synopsis I could muster for this nonsensical mess. Having enjoyed several … Continued

The Church Flakes Out: An Introspective Retrospective on Recent Film Observations (Part Three)

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I’ve neglected this place for months & it’s time to rear my Medusa like head just long enough to shit out a new retrospective.  Forgive me, my inadequacies. – Love, Nom Toys Are Not For Children (Stanley Brassloff; 1972) Attack … Continued

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